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Tammy L. Coffin (A.K.A. Millania Petresti, Princess Darkness/Tamara/ of Hell, T. Chiavarini, The Snake, Tambo, Zoe. Z, Mrs. Coffin, Drazinako, Donatien Courval, Valentina Gumbigobilla, Blue Strativeri, Talentrent-Pierre-Andry, Charton Haymoss, Ivana Baldeus, George-Doitzel Kaiser, Mommy and of course the infamous Mother Coffin Superior.)
She is a self taught linguist, and is badly versed in an array of languages including but not limited to English, Swedish, Japanese, Norwegian, a few dialects of the quickly diminishing Siberian plains, middle-Mongolian, German, Latin and also has limited abilities in a few Hindi dialects. Tammy has a very high IQ, so do not let her shyness and seeming inability to speak in public fool you into a false sense of security and control, she has saintly patience and completely untapped resources. Tammy’s adversaries usually find themselves, eventually, in complete cosmic turmoil, both physical and mental. This phenomenon has been documented. This “musician, writer, and poet” does not consider herself a keyboardist as it is admittedly not her “calling” but she is more of a stringed instrument lover. As the samples she triggers are “live”, it is considerd to her, more percussive. She can play the violin, cello, harp, guitar, and bass (both acoustic and electric) albeit not very well. Tammy also was an un-credited founding member of the New Brunswick Woman’s Drum Circle. In which she played the African Tongue Drum. She was a member (bassist) of the all-female Swedish Metal group Ice Age, and lived in Goteborg, Sweden for quite some time, until Ice Age’s separation (due to horrible management). She was also a founding member of the New Brunswick Gothic Love-Children and Wraith (both underground local movements which brought Industrial-Techno and Rave music to surface in NJ) Her vocals are not pitch-shifted, or tampered with during live performances or recordings, she has a natural grunge quality to her voice that comes from years of listening and singing along to founding fathers of modern “metal” such as Venom and Motorhead. Before she dies she would like to portray Janis Joplin either in theatre or on film, create a role-playing game in its entirety, write a sci-fi trilogy, have poetry published, make a significant amount of money off of music, watch her son become a world leader, see all of the ancient and modern wonders of the world and after death she intends to retain her consciousness.
KEYS. VOCALS.
LIBRA.
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